I’ve been to his home, Rowan Oak, in Oxford many times. But before last night I’d never read a William Faulkner novel.

I know, I know; I’m already ashamed.

Maybe it’s because I always tried to start out with “The Sound and the Fury.” By the second page I still hadn’t figured out what the heck was going on. So I always copped to rather more soothing reading.

But James Franco’s “As I Lay Dying” was on Netflix. As it was Christmas weekend and I had a scarf to knit, I figured, what the heck: another California actor trying to play a country boy. Let’s see how bad this is. “The Beverly Hillbillies” has persistently informed Hollywood’s iconic Southerner and we’re still trying to live it down.

As a director, Franco excelled. But it was Tim Blake Nelson who knocked my socks off. I have known people like Anse Bundren and am probably related to one or two. So my impressions of the film were visceral.

In the Delta, you go about your business in the rain. It’s not unusual to see someone on the street without a raincoat. But in Faulkner’s narrative, oldest son Cash works in a downpour, as both tribute and grief.

His sister, Dewey Dell, faces her dilemma with a naivete that speaks to a different time. Her situation, unfortunately, threatens today’s young woman under the yoke of regressive legislation.

An obsessive fatalism ruled the Bundren family. Burdened by such a mission, they tromped on the tender shoots of Providence. The message was not lost on me.

I located a PDF of the novel and downloaded it last night. I did not stop until I read the last page. Today my eyeballs feel blistered and my attention wanders from my work because I have downloaded “The Sound and the Fury.” Now that I have a feel for Faulkner’s cadence and convoluted narrative, I feel empowered to try it again. Also, I’m excited to see if I learn more new words. I had never experienced the term “pussel-gutted,” but I plan to use it in a comment soon.

Franco made “Sound/Fury” into a movie this year. I think this time I’ll read the book first.